(From The Pet Peeve Dept.)
Class A tube guitar amps. Everyone’s heard the term. It’s generally associated with higher-end amps in support of an amp maker’s claim that their product sounds “better”.
I’ll leave the debate as to which is better to others. What I want to discuss is what Class A really means and, from the pet peeve perspective, to debunk many amp manufacturers’ claims that their products are Class A when clearly they’re not! You may be surprised at how many amp makers falsely claim Class A operation. So, let’s review, in practical terms, what Class A really is and learn a simple rule of thumb you can use to spot operating class BS!
There’s no denying that Class A amps have different tonal characteristics when compared to the more common ClassAB amps. However, as with anything related to tone, “better” is in the ear of the beholder. There are plenty of butt kickin’ amps out there of both classes.
What does “Class A operation” mean? Technically, it refers to where on a tube’s operating curve, it’s biased. That’s it. Bias a tube one way and it’s operating in Class A, change the bias and it’s in ClassAB.
Of course, there are always technical details that complicate things. In this case, the complicating detail is that tubes biased to operate in the Class A “zone” require a lower voltage supply. Otherwise, they’ll quickly fail. Enough tech stuff, no need to worry about that. I mentioned it to avoid a misperception that you can simply take your amp to a tech for a 5-minute re-bias job and you’re in Class A land. Can’t happen. Fundamental changes to your Class A/B amp would be required to lower the voltage and otherwise set it up for Class A operation. Back to regular programming!
Fixed vs. cathode biasing is another “Class A” related misconception. Many believe that if an amp is cathode biased it is Class A. Not true. An amp can be A or A/B and fixed or cathode biased. Again, it depends on where the tube is biased on its operating curve not how it is biased.
Another factor in the myth is that if an amp has a “single-ended” power tube configuration it is Class A. Conversely, so the myth goes, if an amp has a push-pull power tube configuration it is Class A/B. Once again, the operating class of the amp is not defined by the power amp configuration. It is true that many (most?) single-ended amps are, in fact, Class A. But, on its own “single-ended” does not define an amp’s operating class. An amp can be Class A push-pull or Class A/B single-ended or vice versa.
The technical difference between single-ended and push-pull power amps are perhaps a topic for another article; I mention it here because they are common terms and often enter into the Class A vs. Class A/B confusion.
I mentioned above that Class A amps sound different from Class A/B amps. To review, Class A means the tubes are operating in a different part of their operating zone as compared to Class A/B. Two important things happen as a result. First, tubes operating in Class A produce more even harmonic content. Second, they produce less power.
Tubes biased to operate in Class A/B produce more odd order harmonics. Generally, even order harmonics sound more pleasing than odd. That’s why Class A and Class A/B sound different. However, as I mentioned earlier there are MANY GREAT sounding Class A/B amps. Don’t get unnecessarily biased toward Class A amps (amp builder’s humor – HAHA!).
The fact that a Class A amp with the same power tube configuration as a Class A/B amp produces less power leads us to the simple rule of thumb you can use to check whether an amp is really Class A: just compare the power tube configuration to the claimed output power rating of the amp.
Here are the guidelines I use to tell if an amp’s manufacturer doesn’t have their facts straight:
Power Tube EL84 6V6 EL34, 6I6 |
2-Tubes 15 watts A/B 20* watts A/B 40 watts A/B |
4-Tubes 30 watts A/B 40 watts A/B 80 watts A/B |
*Some smaller Class A/B Fenders (e.g. early Princetons and Deluxes, etc.) that feature two 6V6s are rated around 15 watts – later examples are in the more typical 20+ watt range.
If the marketing hype shows output power near or above these ratings and it says the amp is Class A – there’s something wrong! If the output power is a fair chunk lower, the amp is most probably Class A. Simple!
Next time you read a guitar mag have fun by checking the tube configuration, power rating and operating class claims of your favorite amps. You may be surprised at what you find!
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I assume that you are talking about guitar amplifier and it makes sense. The saturation distortion from the output transformer saturation dominates and has become an inherent part of the sound quality of a guitar and guitar amplifier. This type of distortion is odd order in nature and makes the odd order distortion from class AB bias insignificant. Further improvement from class A bias simply misses the points.
However this does not apply to the HiFi amplifier between your music source and speakers.
“Tubes biased to operate in Class A/B produce more odd order harmonics. Generally, even order harmonics sound more pleasing than odd. That’s why Class A and Class A/B sound different. ”
?????
Not really….. Connecting harmonic distortion directly to classes is another myth….
Can an electrical engineer come on here and correct a few things? First of all do not tell an engineer what you are effectively saying – that if you bias a push-pull output stage one way it will be a “class A” and bias it another way it will be “class AB”. On way to prove it to you is for you to go look up class B and class AB in the textbooks and you will see that they are implemented with push-pull topology in tube designs, and with complementary/quasi-complementary topologies in solid state. All three of those topologies require a minimum of two output devices, and have a maximum theoretical efficiency of 78% excluding filament power.
A true class A amplifier design by contrast can be implemented with one output device, and so this proves that they are a completely different architecture and thus the issue is not one of “biasing”. They are maximum 50% efficient with transformer coupling, and 25% efficient with capacitive coupling.
Class A amplifiers add harmonic distortion at all integer harmonics in overdrive, and only even harmonics in sub-overdrive. Class A and AB amplifiers theoretically generate only odd harmonics with perfect device matching. So if the user thinks there is an advantage to using class A, the only difference would be the addition of even harmonics to the output signal over a class AB
There are always some paranoid idiots on the internet who say that this or that amp company makes false claims or that class a or ab , or that ‘a tube in there’ is a ‘gimmick’. What they do not realize is that they look like the complete idiots they are, to people who know what they talk about.
I think quite a few electrical engineers might have a difference of opinion on this …