Losing It in TV? (1965 Teisco TRG-2L Electric Guitar)
How would you feel if you got a gig playing on your local television station and your gear didn’t work? Well, in a way, that’s what happened to me and this 1965 Teisco TRG-2L guitar! Sort of.
How would you feel if you got a gig playing on your local television station and your gear didn’t work? Well, in a way, that’s what happened to me and this 1965 Teisco TRG-2L guitar! Sort of.
Now, I don’t really think there was – or even would have been – any sinful activity associated with this guitar. And the fact that its design is based in part on a religious motif is purely coincidence. But it is a funny story how this rare 1978 Kawai KS-700 guitar was discovered, in SinCity, no less.
Bigsby’s first “commercial” design for Magnatone was the Mark III, a neck-through-body semi-hollow guitar, Bigsby’s take on a Ricky Combo. We know some of these were built because one turned up a few years back at an L.A.-area yard sale (how often have you had that fantasy!). But it appears that Magnatone’s production folks made some changes and almost all that are found with solid bodies and a glued-in neck with a “tongue” extension that slips in under the neck pickup. The formica pickguard and Daka-Ware knobs are a little dated now, but back in ’56 they were strictly the cat’s pajamas!
Most of us probably know this longhorned guitar shape from the legendary Danelectro Guitarlin. Indeed, this Hondo guitar was intended to be a tribute to that ‘60s beauty. Danelectro bit the dust in 1969, yielding to the beginnings of international guitarmaking.
There are a lot of guitar stories in the BigCity. A lot of them come with names like Gibson and Fender and a lot of people follow them around like mindless lemmings, genuflecting at the sound of the names. And pay out lots of money. But luckily for you and me, there are a lot of other stories down obscure alleys and behind underpasses. Providing encounters where you come face to face and you say, “I gotta have that guitar.” And even luckier for you and me, there’s a guy on the other side saying to himself, “Oh boy, have I got a sucker on the line now!” Then for a couple hundred instead of a couple thousand clams you walk away with another cool – and usually very good – axe like no one else’s. The BigCity is full of these stories. This 1985 Ibanez XV500 is one of them.
Early Alamos were somewhat inspired by Rickenbacker guitars, but by 1965 their designs had clearly gone over the top. In fact, it’s safe to say that, even in a whacky pack like that of the mid-’60s, Alamo guitars were among the boldest in America! Like this 1965 Alamo Fiesta Model 2586R!
I’ve been playing the electric twelve string guitar professionally for the last 16 years in my band The Carpet Frogs. Guitar players have often complimented me on the tone of my electric 12 string and have asked me how I get that “authentic” sound! For me, it all started with the two Godfathers of the electric 12 string: George Harrison of the Beatles and Roger McGuinn of The Byrds. Obviously, the first ingredient is a great 12 string. The Granddaddy of them all is the Rickenbacker 12 string.
The minute I laid eyes on this c. 1965 Wandré Modele Karak – that is, once I was able to get beyond the knockout shape – I thought “motorcycle.” Take a gander at that vibrato. Look like a motorcycle chevron? And what’s up with that neck? It’s tooled from aluminum, which makes it weird enough. But just like motorcycles have all the works exposed on the outside, this aluminum neck stretches its whole length- head to vibrato – on the outside of the guitar! Even the head frame shouts motorbike. So, is there a two-wheel connection?
I don’t remember exactly when I’d heard about Messenger guitars. But many years later, having a nice collection of guitars with aluminum necks seemed like just what I needed! I needed a Messenger.
Accordions. If you play guitar, you probably don’t think much about them. But from several perspectives they played an important role in giving the guitar a boost to prominence that it now enjoys. A role that is nicely evidenced by this very swell c. 1967 Galanti Grand Prix electric guitar.
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